Les français peints par eux-mêmes, tome 1 by L. Curmer

(3 User reviews)   3318
By Charlotte Girard Posted on Nov 15, 2025
In Category - Adventure
French
Ever wondered what real life was like in 1840s Paris, beyond the grand paintings and romantic novels? Forget dry history books—this is something special. 'Les français peints par eux-mêmes' (The French Painted by Themselves) is a massive, collaborative snapshot of a society in the middle of huge change. It's not one story, but hundreds of little ones. Writers, artists, and everyday people teamed up to describe and draw the characters that made up their world, from the grumpy concierge in her lodge to the dandy strolling the boulevards. It’s like finding a stranger’s incredibly detailed and artistic photo album from 180 years ago. The 'mystery' it explores is the simple, fascinating question: who were these people, really? It pulls back the curtain on ordinary lives with wit, curiosity, and stunning illustrations.
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the description by accepting the presidency of an Atheistical society. With few exceptions, the heretics of one generation become the revered saints of a period less than twenty generations later. Lord Bacon, in his own age, was charged with Atheism, Sir Isaac Newton with Socinianism, the famous Tillotson was actually charged with Atheism, and Dr. Burnet wrote vigorously against the commonly received traditions of the fall and deluge. There are but few men of the past of whom the church boasts to-day, who have not at some time been pointed at as heretics by orthodox antagonists excited by party rancor. Heresy is in itself neither Atheism nor Theism, neither the rejection of the Church of Rome, nor of Canterbury, nor of Constantinople; heresy is not necessarily of any-ist or-ism. The heretic is one who has selected his own opinions, or whose opinions are the result of some mental effort; and he differs from others who are orthodox in this:--they hold opinions which are often only the bequest of an earlier generation unquestioningly accepted; he has escaped from the customary grooves of conventional acquiescence, and sought truth outside the channels sanctified by habit. Men and women who are orthodox are generally so for the same reason that they are English or French--they were born in England or France, and cannot help the good or ill fortune of their birthplace. Their orthodoxy is no higher virtue than their nationality. Men are good and true of every nation and of every faith; but there are more good and true men in nations where civilisation has made progress, and amongst faiths which have been modified by high humanising influences. Men are good not because of their orthodoxy, but in spite of it; their goodness is the outgrowth of their humanity, not of their orthodoxy. Heresy is necessary to progress; heresy in religion always precedes endeavor for political freedom. You cannot have effectual political progress without wide-spread heretical thought. Every grand political change in which the people have played an important part has been preceded by the popularisation of heresy in the immediately earlier generations. Fortunately, ignorant men cannot be real heretics, so that education must be hand-maiden to heresy. Ignorance and superstition are twin sisters. Belief too often means nothing more than prostration of the intellect on the threshold of the unknown. Heresy is the pioneer, erect and manly, striding over the forbidden line in his search for truth. Heterodoxy develops the intellect, orthodoxy smothers it. Heresy is the star twinkle in the night, orthodoxy the cloud which hides this faint gleam of light from the weary travellers on life’s encumbered pathway. Orthodoxy was well exemplified in the dark middle ages, when the mass of men and women believed much and knew little, when miracles were common and schools were rare, and when the monasteries on the hill tops held the literature of Europe. Heresy speaks for itself in this nineteenth century, with the gas and electric light, with cheap newspapers, with a thousand lecture rooms, with innumerable libraries, and at least a majority of the people able to read the thoughts the dead have left, as well as to listen to the words the living utter. The word heretic ought to be a term of honor; for honest, clearly uttered heresy is always virtuous, and this whether truth or error; yet it is not difficult to understand how the charge of heresy has been generally used as a means of exciting bad feeling. The Greek word [--Greek--] which is in fact our word heresy, signifies simply selection or choice. The heretic philosopher was...

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This isn't a novel with a plot in the usual sense. Think of it as a grand, illustrated encyclopedia of everyday life in mid-19th century France. Published in parts between 1840 and 1842, it was a huge project that brought together famous writers (like Balzac and Gautier) and talented illustrators. Their mission? To catalog the social 'types' that populated their world. Each entry focuses on a specific character: the shopgirl, the lawyer's clerk, the old soldier, the provincial in Paris. Through short essays and beautiful, detailed engravings, they build a complete portrait of how these people lived, worked, dressed, and thought.

Why You Should Read It

I love this book because it feels alive. You're not reading a historian's analysis written a century later; you're getting the view from the street, right as it was happening. The observations are sharp, often funny, and sometimes surprisingly moving. You see the anxiety about new technology (like the railway!), the clash between old traditions and modern city life, and the small dramas of pride and survival. The illustrations are the real star—they’re not just decorations, but essential documents full of telling details about fashion, home interiors, and body language.

Final Verdict

Perfect for anyone who loves social history, vintage illustrations, or Paris. If you enjoy books that make you feel like a time-traveler, peering into the windows of the past, you'll be captivated. It’s a book to dip into, savoring one 'character study' at a time. Just be warned: you might start seeing the modern world a little differently, spotting echoes of these 1840s types in people you pass on the street today.



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Anthony Walker
1 year ago

Compatible with my e-reader, thanks.

Robert Lopez
4 months ago

Not bad at all.

Christopher Torres
1 month ago

I started reading out of curiosity and the emotional weight of the story is balanced perfectly. This story will stay with me.

5
5 out of 5 (3 User reviews )

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