You'll git dar in de mornin' by H. T. Burleigh and Frank Lebby Stanton

(5 User reviews)   3393
By Charlotte Girard Posted on Nov 15, 2025
In Category - Adventure
Stanton, Frank Lebby, 1857-1927 Stanton, Frank Lebby, 1857-1927
English
Hey, I just finished this little book that's been sitting on my shelf, and it's not at all what I expected. It's called 'You'll git dar in de mornin'' and it's basically a collection of old Southern folk songs and poems, put to music by H. T. Burleigh. The title comes from a spiritual about finding hope and rest after a long, hard journey. It's less of a story and more like a time capsule. The 'conflict' is quiet but powerful—it's the struggle between weariness and hope, between the hardship of the day and the promise of a better tomorrow. The language is written in a heavy dialect, which can be tough to read at first, but if you stick with it, you start to hear the voices and the resilience. It's a short, haunting glimpse into a world of faith and endurance. If you're curious about American folk history or just want to read something completely different, give it an hour of your time.
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the description by accepting the presidency of an Atheistical society. With few exceptions, the heretics of one generation become the revered saints of a period less than twenty generations later. Lord Bacon, in his own age, was charged with Atheism, Sir Isaac Newton with Socinianism, the famous Tillotson was actually charged with Atheism, and Dr. Burnet wrote vigorously against the commonly received traditions of the fall and deluge. There are but few men of the past of whom the church boasts to-day, who have not at some time been pointed at as heretics by orthodox antagonists excited by party rancor. Heresy is in itself neither Atheism nor Theism, neither the rejection of the Church of Rome, nor of Canterbury, nor of Constantinople; heresy is not necessarily of any-ist or-ism. The heretic is one who has selected his own opinions, or whose opinions are the result of some mental effort; and he differs from others who are orthodox in this:--they hold opinions which are often only the bequest of an earlier generation unquestioningly accepted; he has escaped from the customary grooves of conventional acquiescence, and sought truth outside the channels sanctified by habit. Men and women who are orthodox are generally so for the same reason that they are English or French--they were born in England or France, and cannot help the good or ill fortune of their birthplace. Their orthodoxy is no higher virtue than their nationality. Men are good and true of every nation and of every faith; but there are more good and true men in nations where civilisation has made progress, and amongst faiths which have been modified by high humanising influences. Men are good not because of their orthodoxy, but in spite of it; their goodness is the outgrowth of their humanity, not of their orthodoxy. Heresy is necessary to progress; heresy in religion always precedes endeavor for political freedom. You cannot have effectual political progress without wide-spread heretical thought. Every grand political change in which the people have played an important part has been preceded by the popularisation of heresy in the immediately earlier generations. Fortunately, ignorant men cannot be real heretics, so that education must be hand-maiden to heresy. Ignorance and superstition are twin sisters. Belief too often means nothing more than prostration of the intellect on the threshold of the unknown. Heresy is the pioneer, erect and manly, striding over the forbidden line in his search for truth. Heterodoxy develops the intellect, orthodoxy smothers it. Heresy is the star twinkle in the night, orthodoxy the cloud which hides this faint gleam of light from the weary travellers on life’s encumbered pathway. Orthodoxy was well exemplified in the dark middle ages, when the mass of men and women believed much and knew little, when miracles were common and schools were rare, and when the monasteries on the hill tops held the literature of Europe. Heresy speaks for itself in this nineteenth century, with the gas and electric light, with cheap newspapers, with a thousand lecture rooms, with innumerable libraries, and at least a majority of the people able to read the thoughts the dead have left, as well as to listen to the words the living utter. The word heretic ought to be a term of honor; for honest, clearly uttered heresy is always virtuous, and this whether truth or error; yet it is not difficult to understand how the charge of heresy has been generally used as a means of exciting bad feeling. The Greek word [--Greek--] which is in fact our word heresy, signifies simply selection or choice. The heretic philosopher was...

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Let's clear something up right away: this isn't a novel. 'You'll git dar in de mornin'' is a songbook. Frank Lebby Stanton wrote the poems and lyrics, drawing deeply from the well of Southern African American spirituals and folk traditions, and the celebrated composer H. T. Burleigh set them to music. The book captures the rhythm, dialect, and soul of these oral traditions on the page.

The Story

There's no linear plot. Instead, each poem or song is a small scene or a burst of emotion. The title piece is a spiritual where a weary traveler is reassured that they'll 'get there in the morning'—that rest and peace are coming after the struggle. Other pieces might depict a simple moment, a lament, or a expression of deep faith. Reading it is like listening to a series of old, familiar tunes; the 'story' is the collective experience of hardship, patience, and quiet hope they convey.

Why You Should Read It

This book is a direct line to the past. The heavy dialect (spellings like 'dar' for 'there' and 'de' for 'the') is challenging, but it's the point. It forces you to slow down and listen with your inner ear. You stop just reading words and start hearing a voice, a melody, a person. It's a powerful reminder of how culture and resilience are carried in language and song. It’s not always an easy read, but it's a profoundly respectful preservation of a vital artistic heritage.

Final Verdict

This is a niche but rewarding pick. It's perfect for history buffs, music lovers, or anyone interested in the roots of American folk and spiritual music. It's also great for poets and writers curious about dialect and oral tradition. If you're looking for a fast-paced plot, look elsewhere. But if you want a quiet, authentic, and moving historical artifact that lets the past speak for itself, this short book is a unique treasure.



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Robert Walker
1 month ago

To be perfectly clear, the flow of the text seems very fluid. Worth every second.

Christopher Gonzalez
1 year ago

Comprehensive and well-researched.

Linda Lee
8 months ago

Text is crisp, making it easy to focus.

Aiden Robinson
1 year ago

My professor recommended this, and I see why.

Anthony Johnson
8 months ago

Loved it.

4.5
4.5 out of 5 (5 User reviews )

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