Henri VI (2/3) by William Shakespeare

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By Charlotte Girard Posted on Jan 2, 2026
In Category - Adventure
Shakespeare, William, 1564-1616 Shakespeare, William, 1564-1616
French
Hey, if you think modern politics is brutal, wait until you meet 15th-century England. Shakespeare's *Henry VI, Part 2* is where the Wars of the Roses really kicks off. It’s not just about a weak king on the throne—it’s about everyone around him sharpening their knives. You've got nobles plotting in shadows, a queen fighting for power, and a rebellion that starts with a fake miracle and ends with heads on spikes. Forget simple good vs. evil; this is a messy, chaotic scramble where ambition trumps loyalty every time. It’s Shakespeare’s version of a political thriller, and the body count is just getting started.
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It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock-lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come to the English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock-lane brood. France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous. In England, there was scarcely an amount of order and protection to justify much national boasting. Daring burglaries by armed men, and highway robberies, took place in the capital itself every night; families were publicly cautioned not to go out of town without removing their furniture to upholsterers’ warehouses for security; the highwayman in the dark was a City tradesman in the light, and, being recognised and challenged by his fellow-tradesman whom he stopped in his character of “the Captain,” gallantly shot him through the head and rode away; the mail was waylaid by seven robbers, and the guard shot three dead, and then got shot dead himself by the other four, “in consequence of the failure of his ammunition:” after which the mail was robbed in peace; that magnificent potentate, the Lord Mayor of London, was made to stand and deliver on Turnham Green, by one highwayman, who despoiled the illustrious creature in sight of all his retinue; prisoners in London gaols fought battles with their turnkeys, and the majesty of the law fired blunderbusses in among them, loaded with rounds of shot and ball; thieves snipped off diamond crosses from the necks of noble lords at Court...

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Okay, let's set the scene. King Henry VI is a gentle, pious man who would probably rather be praying than ruling. That's a big problem when you're the king. His new wife, Margaret of Anjou, is fierce and ambitious, but the English nobles hate her. Meanwhile, the Duke of York is waiting in the wings, convinced he has a better claim to the crown. The play follows this powder keg as it explodes. We see nobles like Somerset and Suffolk scheme, a popular rebellion led by the fiery Jack Cade tear through London, and the Duke of York finally drop the pretence and march to war. By the end, the stage is literally set for the first major battle of the civil war.

Why You Should Read It

This is Shakespeare showing us how a country falls apart. It’s not one big event, but a chain of small betrayals, public lies, and failed leadership. The characters are fantastic. Margaret is a force of nature, York is chillingly patient, and poor Henry is tragically out of his depth. You watch good people make bad choices and bad people get exactly what they want, for a while. It feels frighteningly relevant—it’s all about the danger of a power vacuum and how quickly chaos can replace order.

Final Verdict

Perfect for anyone who loves complex characters and political intrigue. If you enjoyed the backstabbing in *Game of Thrones* or the tense court drama of shows like *The Crown*, this is the original blueprint. It’s also a great 'next step' if you've read some of Shakespeare's more famous tragedies and want to see him building a huge, messy historical epic. Just be ready for a wild ride where no one is safe.



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