Die Irrungen, oder die Doppelten Zwillinge by William Shakespeare

(7 User reviews)   3495
By Charlotte Girard Posted on Dec 26, 2025
In Category - Adventure
Shakespeare, William, 1564-1616 Shakespeare, William, 1564-1616
German
Okay, so you know how most of Shakespeare's comedies have one set of twins causing hilarious mix-ups? This one decides, 'Why stop at two?' In 'Die Irrungen, oder die Doppelten Zwillinge' (The Errors, or the Double Twins), we get two sets of identical twins, separated at birth, all converging on the same chaotic city. It’s a masterclass in mistaken identity cranked up to eleven. Imagine the confusion when not one, but four people keep getting confused for each other. Servants are scolded for things they didn't do, wives are furious with the wrong husbands, and money goes to all the wrong people. If you love a plot that spirals into glorious, ridiculous confusion before the heartwarming reveal, you have to try this. It’s Shakespeare’s most farcical play, and it’s an absolute riot.
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the description by accepting the presidency of an Atheistical society. With few exceptions, the heretics of one generation become the revered saints of a period less than twenty generations later. Lord Bacon, in his own age, was charged with Atheism, Sir Isaac Newton with Socinianism, the famous Tillotson was actually charged with Atheism, and Dr. Burnet wrote vigorously against the commonly received traditions of the fall and deluge. There are but few men of the past of whom the church boasts to-day, who have not at some time been pointed at as heretics by orthodox antagonists excited by party rancor. Heresy is in itself neither Atheism nor Theism, neither the rejection of the Church of Rome, nor of Canterbury, nor of Constantinople; heresy is not necessarily of any-ist or-ism. The heretic is one who has selected his own opinions, or whose opinions are the result of some mental effort; and he differs from others who are orthodox in this:--they hold opinions which are often only the bequest of an earlier generation unquestioningly accepted; he has escaped from the customary grooves of conventional acquiescence, and sought truth outside the channels sanctified by habit. Men and women who are orthodox are generally so for the same reason that they are English or French--they were born in England or France, and cannot help the good or ill fortune of their birthplace. Their orthodoxy is no higher virtue than their nationality. Men are good and true of every nation and of every faith; but there are more good and true men in nations where civilisation has made progress, and amongst faiths which have been modified by high humanising influences. Men are good not because of their orthodoxy, but in spite of it; their goodness is the outgrowth of their humanity, not of their orthodoxy. Heresy is necessary to progress; heresy in religion always precedes endeavor for political freedom. You cannot have effectual political progress without wide-spread heretical thought. Every grand political change in which the people have played an important part has been preceded by the popularisation of heresy in the immediately earlier generations. Fortunately, ignorant men cannot be real heretics, so that education must be hand-maiden to heresy. Ignorance and superstition are twin sisters. Belief too often means nothing more than prostration of the intellect on the threshold of the unknown. Heresy is the pioneer, erect and manly, striding over the forbidden line in his search for truth. Heterodoxy develops the intellect, orthodoxy smothers it. Heresy is the star twinkle in the night, orthodoxy the cloud which hides this faint gleam of light from the weary travellers on life’s encumbered pathway. Orthodoxy was well exemplified in the dark middle ages, when the mass of men and women believed much and knew little, when miracles were common and schools were rare, and when the monasteries on the hill tops held the literature of Europe. Heresy speaks for itself in this nineteenth century, with the gas and electric light, with cheap newspapers, with a thousand lecture rooms, with innumerable libraries, and at least a majority of the people able to read the thoughts the dead have left, as well as to listen to the words the living utter. The word heretic ought to be a term of honor; for honest, clearly uttered heresy is always virtuous, and this whether truth or error; yet it is not difficult to understand how the charge of heresy has been generally used as a means of exciting bad feeling. The Greek word [--Greek--] which is in fact our word heresy, signifies simply selection or choice. The heretic philosopher was...

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So, I finally got around to reading Shakespeare's 'The Comedy of Errors' in its original German title, and let me tell you, it's as madcap as they come.

The Story

The plot is deceptively simple. Two sets of identical twin brothers—both named Antipholus, with servants both named Dromio—were separated as infants in a shipwreck. Decades later, Antipholus and Dromio of Syracuse arrive in Ephesus, which just happens to be home to their long-lost twin brothers. What follows is a non-stop parade of confusion. The local Antipholus's wife shuts her 'husband' out of his own house, a gold chain is delivered to the wrong twin, and accusations of theft, infidelity, and even demonic possession fly. Everyone in Ephesus thinks the Syracusans are crazy, and the visitors are convinced the whole town is bewitched.

Why You Should Read It

Beyond the brilliant physical comedy, this play is surprisingly sweet. At its core, it's about a father's decades-long search for his lost family. The frantic, often cruel mix-ups make the final moments of recognition incredibly powerful. You feel the relief and joy as the pieces finally click into place. It's also fascinating to see Shakespeare playing with identity so early in his career—who are we if everyone, including our own spouse, mistakes us for someone else?

Final Verdict

This is the perfect starter Shakespeare for anyone intimidated by the heavier histories or tragedies. It's fast, funny, and the plot is easy to follow despite the chaos. If you love classic sitcoms, screwball comedies, or stories about family lost and found, you'll adore this play. Just be prepared for a lot of door-slamming and people shouting, 'I am not you!'



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Mary Jackson
1 year ago

The index links actually work, which is rare!

Christopher Garcia
1 month ago

If you enjoy this genre, the character development leaves a lasting impact. I couldn't put it down.

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4 out of 5 (7 User reviews )

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