The Head Voice and Other Problems: Practical Talks on Singing by D. A. Clippinger

(5 User reviews)   4153
Clippinger, D. A. (David Alva), 1860-1938 Clippinger, D. A. (David Alva), 1860-1938
English
Ever wonder why some singers sound effortless while others seem to strain? If you've ever taken a voice lesson or just love to sing in the shower, you've probably heard the term 'head voice.' But what does it actually mean? D.A. Clippinger's classic book cuts through the confusion. Written over a century ago, it tackles the same problems singers face today: breath control, tension, and finding your true, free sound. It's not a dry manual; it's like having a patient, experienced teacher in your corner, explaining the 'why' behind the technique. Forget modern gimmicks—this is about timeless principles.
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know anything about it. It was a kind of freemasonry, we said. Although Jim Burden and I both live in New York, and are old friends, I do not see much of him there. He is legal counsel for one of the great Western railways, and is sometimes away from his New York office for weeks together. That is one reason why we do not often meet. Another is that I do not like his wife. When Jim was still an obscure young lawyer, struggling to make his way in New York, his career was suddenly advanced by a brilliant marriage. Genevieve Whitney was the only daughter of a distinguished man. Her marriage with young Burden was the subject of sharp comment at the time. It was said she had been brutally jilted by her cousin, Rutland Whitney, and that she married this unknown man from the West out of bravado. She was a restless, headstrong girl, even then, who liked to astonish her friends. Later, when I knew her, she was always doing something unexpected. She gave one of her town houses for a Suffrage headquarters, produced one of her own plays at the Princess Theater, was arrested for picketing during a garment-makers’ strike, etc. I am never able to believe that she has much feeling for the causes to which she lends her name and her fleeting interest. She is handsome, energetic, executive, but to me she seems unimpressionable and temperamentally incapable of enthusiasm. Her husband’s quiet tastes irritate her, I think, and she finds it worth while to play the patroness to a group of young poets and painters of advanced ideas and mediocre ability. She has her own fortune and lives her own life. For some reason, she wishes to remain Mrs. James Burden. As for Jim, no disappointments have been severe enough to chill his naturally romantic and ardent disposition. This disposition, though it often made him seem very funny when he was a boy, has been one of the strongest elements in his success. He loves with a personal passion the great country through which his railway runs and branches. His faith in it and his knowledge of it have played an important part in its development. He is always able to raise capital for new enterprises in Wyoming or Montana, and has helped young men out there to do remarkable things in mines and timber and oil. If a young man with an idea can once get Jim Burden’s attention, can manage to accompany him when he goes off into the wilds hunting for lost parks or exploring new canyons, then the money which means action is usually forthcoming. Jim is still able to lose himself in those big Western dreams. Though he is over forty now, he meets new people and new enterprises with the impulsiveness by which his boyhood friends remember him. He never seems to me to grow older. His fresh color and sandy hair and quick-changing blue eyes are those of a young man, and his sympathetic, solicitous interest in women is as youthful as it is Western and American. During that burning day when we were crossing Iowa, our talk kept returning to a central figure, a Bohemian girl whom we had known long ago and whom both of us admired. More than any other person we remembered, this girl seemed to mean to us the country, the conditions, the whole adventure of our childhood. To speak her name was to call up pictures of people and places, to set a quiet drama going in one’s brain. I...

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This isn't a novel with a plot, but it absolutely has a story to tell. The 'story' here is the journey of a singer trying to master their own instrument. Clippinger structures the book as a series of clear, practical talks. He starts with the fundamentals of posture and breath—the foundation of everything—and then guides you through the big, often-misunderstood ideas like register, resonance, and, of course, the 'head voice.' He breaks down complex vocal mechanics into concepts you can actually feel and practice. The central conflict is the singer against their own bad habits and misconceptions, with Clippinger acting as the wise coach.

Why You Should Read It

What struck me most was how relevant it still feels. The problems he describes—pushing too hard, singing from the throat, struggling to connect notes smoothly—are the same ones I hear in choirs and practice rooms today. His advice is straightforward and rooted in physical sensation, not abstract theory. He constantly reminds you that singing should feel good and free. Reading it, you get a real sense of his teaching personality: calm, logical, and deeply encouraging. It demystifies the art form.

Final Verdict

This book is a hidden gem for curious singers of all levels, from beginners to experienced vocalists who want to revisit the basics. It's also fantastic for voice teachers looking for clear, classic explanations to share with their students. If you're tired of vague singing advice online and want wisdom that has stood the test of time, give this a read. Just be ready to stop and try out his exercises—you'll likely have an 'aha!' moment.



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Andrew Young
11 months ago

To be perfectly clear, the flow of the text seems very fluid. Highly recommended.

Jennifer Brown
1 year ago

From the very first page, the author's voice is distinct and makes complex topics easy to digest. I couldn't put it down.

Aiden Torres
5 months ago

Five stars!

Mason Wright
1 year ago

After hearing about this author multiple times, it provides a comprehensive overview perfect for everyone. One of the best books I've read this year.

Steven Young
10 months ago

Surprisingly enough, the character development leaves a lasting impact. Definitely a 5-star read.

4.5
4.5 out of 5 (5 User reviews )

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