Herfsttij der Middeleeuwen by Johan Huizinga

(11 User reviews)   3937
Huizinga, Johan, 1872-1945 Huizinga, Johan, 1872-1945
Dutch
Ever wondered what the end of the Middle Ages actually felt like? It wasn't just knights and castles fading away. Johan Huizinga's classic, 'The Autumn of the Middle Ages,' shows us it was a time of wild extremes. Picture a world obsessed with death and decay, yet also exploding with over-the-top chivalry and flamboyant art. The real mystery Huizinga explores is this: how could a society be so intensely alive and so convinced it was dying at the very same time? It’s not a dry history of dates and battles, but a vivid portrait of a whole civilization's mood. If you want to understand the dramatic, contradictory spirit that paved the way for the Renaissance, this is your essential guide.
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member of the Noble Guard. This the delicate state of his health forbade. Repelled by the Prince Commandant, he sought counsel of the Pope. Pius VII. pronounced that his destiny was the Cross, and advised him to devote himself to the ecclesiastical state. The words of the Holy Father were, to the youthful Mastai, as a voice from on high. He decided for the Church, and, as if in testimony that his decision was ratified in heaven, the falling-sickness left him. His studies were more than ordinarily successful, and he already gave proof of those high qualities which were afterwards so greatly developed. The distinguished Canon Graniare, his professor, little dreaming of the exalted destiny which awaited him, held him up as a pattern of excellence to his fellow-students, saying that he possessed the heart of a Pope. Whilst yet a student, Mastai interested himself in an orphanage, which was founded by John Bonghi, a charitable mason of Rome. He spent in this institution the first seven years of his priesthood, devoting himself to the care of the orphans, who were, as yet, his only parishioners. The income which he derived from family resources was liberally applied in supplying the wants of these destitute children, and even in ministering to their recreation. It now became his duty to accompany, as a missionary priest, Monsignore Mazi, who was appointed Vicar-Apostolic for Chili, Peru and Mexico. These countries had thrown off the yoke of Spain and adopted Republican forms of government. The Vicar-Apostolic and his companions suffered much in the course of their voyage to America. They were cast into prison, at the Island of Majorca, by Spanish officials, who took it amiss that Rome should hold direct relations with the rebellious subjects of their government. Their ship was attacked by corsairs, and was afterwards in danger from a storm. A single circumstance only need be mentioned in order to show what the faithful ministers of the Church had to endure when traversing the inhospitable steppes of the Pampas. Once, at night, they had no other shelter than a wretched cabin built with the bones of animals, which still emitted a cadaverous odour. In those arid deserts, they suffered from thirst as well as from dearth of provisions. Great results can only be attained by equally great labors. If, after a period of privation, the travellers enjoyed no more luxurious refreshment than the waters of the crystal brook, it might well be said, “de torrente in viabibet propterea exaltabit caput.” (They shall be reduced to quench their thirst in the mountain stream, and therefore shall be exalted.) The delegates of the Holy Father were received with enthusiasm by the South American populations. Meanwhile, the narrow governments that were set over those countries raised so many difficulties that the mission was only partially successful. This mission, however, was not without benefit to the Reverend Count Mastai. It had been the means of developing the admirable qualities which he possessed. It had afforded him the opportunity of seeing many cities, as well as the manners and customs of many people. These lessons of travel were not addressed to an ordinary mind. His views were enlarged, elevated and refined by contact with so many rising or fallen civilizations, so many different nationalities, and by the spectacle of Nature, that admirable handmaid of the Divinity, with her varied splendors and her manifold wonders, astonishing no less in the immensity of the ocean than in the vast forests of the New World. The mind appears to grow as the sphere of material life extends. Vast horizons are...

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Let's be clear: this isn't a novel with a plot. It's a brilliant exploration of a mood—the collective feeling of Western Europe, especially France and the Netherlands, in the 14th and 15th centuries. Huizinga argues this period wasn't the boring prelude to the Renaissance, but a distinct and powerful era with its own intense character.

The Story

There's no main character, but the 'story' is the clash of ideas in people's heads. On one side, you have a deep, almost theatrical pessimism: a constant focus on death, the fleeting nature of life, and a sense that the world was in decline. On the other side, life was lived with incredible vividness. Chivalry became a dramatic performance, art was packed with intricate detail and symbolic meaning, and religious feeling was both deeply personal and wildly public. Huizinga walks you through these contradictions, showing how they shaped everything from courtly love to funeral rituals.

Why You Should Read It

This book changed how I see history. It moves past kings and treaties to ask: what did people dream about? What scared them? What did they think was beautiful? You'll see how the grim reality of the Plague and constant wars existed alongside stunning creativity. Huizinga connects the dots between a somber prayer book and a lavish festival, making you feel the strange, electric energy of an age that knew its time was up but refused to go quietly.

Final Verdict

Perfect for anyone who finds standard history books too sterile. If you love art, literature, or big ideas about how cultures change, you'll be fascinated. It's a demanding but incredibly rewarding read that doesn't just tell you what happened—it makes you feel the spirit of a lost world. Give it a go if you're ready to see the Middle Ages in full, brilliant, and melancholic color.



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Aiden Torres
1 year ago

Honestly, the clarity of the writing makes this accessible. Truly inspiring.

James Hill
7 months ago

A must-have for anyone studying this subject.

Jackson Anderson
11 months ago

Having read this twice, the character development leaves a lasting impact. I will read more from this author.

Thomas Thompson
10 months ago

Honestly, it manages to explain difficult concepts in plain English. Don't hesitate to start reading.

Steven Anderson
7 months ago

A must-have for anyone studying this subject.

5
5 out of 5 (11 User reviews )

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